The Thief Lord

It is the story of orphans and adoption. It reminded me a lot of August Rush without a cruel Robin Williams and all of the music. Both house the street urchins in an abandoned theater but the one in this 2006 movie is much nicer. The story is set in the canals of Venice and includes elements of magic, especially from the perspective of Bo, who is 6-3/4 years old. From a review at LINK>Chucks Connection

Two orphaned brothers have been separated by their aunt Esther Hartlieb, who is only interested in taking care of Bo and has put Prosper in an orphanage. As the film opens, Prosper successfully escapes from the orphanage, and is able to get Bo away from the Hartlieb house, although in doing so he triggers an alarm that awakens the Hartliebs. The two boys have made a pact to run away and go to Venice, where their mother was thinking of taking them before she died.

The two boys are able to arrive in Venice by stealing rides on trains and boats. By the time they have reached their destination, Bo has come down with a bad cough. Prosper goes into a drug store to get some medicine, but doesn’t have enough money to purchase the drugs. He contemplates stealing the medicine, but is startled by the shop owner, and the bottle falls to the floor and breaks. The shop owner yells “thief” and begins chasing Prosper down the corridors and alleyways of Venice. Prosper is able to escape, due to the unexpected assistance of another young teen wearing a black beaked mask.

The kids support themselves through petty thievery. They sell what they steal through a local fence, Barbarossa (who reminded me of my sons’ obstetrician). He is the owner of a local antique shop. Meanwhile, the snobbish couple who were raising Bo hire a local detective. It is not clear why they would even be interested in finding Bo and his older brother, Prosper, as they seem totally uninterested in relating to either kid.

Eventually, the Thief Lord is offered a large sum of money to steal what seems to be a somewhat worthless object — the wing of an animal from an old wooden merry-go-round. “Chuck” notes that there are many plot turns and twists in this story along with some magical events that change the focus of the story. But it would spoil your experience of viewing the film to reveal any more of the actual story, other than to say it might take you a couple of viewings before you pick up on everything that goes on in the course of the film.

I enjoyed the movie but then, I believe in and love magic. The Thief Lord is based on the fantasy novel by Cornelia Funke. When I checked the dvd out at our local library, the librarian said she had read the book but had not seen the movie. The director and screenwriter, Richard Claus, is noted to have remained faithful to most of the details of the book. While it is a family film. it has some complexity to it. It is not difficult for a viewer to get wrapped up in the action of the storyline. LINK>Common Sense Media describes the movie as a magical orphan drama that explores the definition of family.

My favorite character is an adult woman, Ida Spavento, who is a photographer that helps the kids. Turns out, she is also an orphan and is the one who possesses the wooden wing. It belongs to the lion on the long-lost merry-go-round with magical powers that was once at the Merciful Sisters convent. 

Vimeo Trailer

David Crosby’s son James Raymond

While David Crosby was preparing for his liver transplant in the ’90s, he discovered that the child he had given up for adoption in 1962 had been searching for him. Crosby finally reunited with his long-lost son, James Raymond, and as fate would have it, he’s also a musician. Raymond is a successful keyboardist and composer. 

Crosby was in his early 20s when Raymond’s mother became pregnant. “She gave him up for adoption and didn’t tell me he existed,” he says. Raymond was born when his father was young. Crosby declines to identify the mother with whom he had a fleeting relationship, but he admits they put their son up for adoption immediately. Crosby never forgot the son he gave up.

When Raymond and his partner were about to have their first child, his adoptive parents suggested he might want to track down his biological parents. “So he went to check and he sees my name there and he thinks: ‘Nah, couldn’t be.’ So he checks first names and middle names [Van Cortlandt] and realizes, yeah, it is me. He’d already been a musician for 20 years when we met up – “so anybody who tells you it’s not genetic, you tell them come talk to me.”

As his health deteriorated while he waited for a new liver, David Crosby’s thoughts drifted to the boy. “I was in the hospital dying, and I knew that I had a son out there someplace,” Crosby told The Baltimore Sun. “I had been beating myself up for years about not being there for this kid.” Crosby says, such reunions end up in animosity. “But James did a wonderful thing, man. He gave me a chance to earn my way into his life.” How did he do that? “By making music with him.”

Raymond had already made a name for himself in music, having pursued classical and then jazz from a young age. He was the musical director for a successful Nickelodeon series and a sideman for acts including Chaka Khan. From an early age, Raymond knew he was adopted, but he didn’t seek out his birth father until he was living on his own. Discovering his dad was David Crosby came as a shock. 

The father-son duo got along well from the start. “He was this nice, decent young guy, and we became friends immediately,” Crosby said. “We write spectacularly well together.” He says the final song on the album, For Free is Crosby’s favorite. It is I Won’t Stay For Long, which was written by Raymond. The album came out July 23, 2021 and was also produced by Raymond. Crosby says, “Imagine how I feel about my son being that good a writer. I wear it like a garland of flowers on my head. It’s just fucking wonderful.” They began playing music together and soon they formed the jazz-rock band CPR (Crosby, Pevar & Raymond). By January 1997, CPR was touring and performing.

On his website, Raymond talks about his work on the album – “Lyrically, where I started was this visual of agricultural workers in the Central Valley of California, truck drivers, laborers starting their workday early in the cold of morning … knowing that it would get hot as hell as the day wore on,” Raymond said. “I wanted to speak of their resiliency and spirit and that of so many other working folks across the USA.” Crosby added his storytelling and voice, and the results are an iconic father-son collaboration. 

James John Raymond is a musician, songwriter, producer and film composer living and working in Santa Fe, New Mexico. I discovered on his website LINK>James Raymond that the composer contributed some additional music to one of my all time favorite movies – 2007’s August Rush. If you want to know more about him and his craft here is a somewhat technical explanatory YouTube.

I can’t help but think of my youngest, musical genius, son. This is the kind of YouTube, my son might make someday regarding his own compositions. My son does things like this YouTube with his Geometry Dash gameplay. He frequently composes music on his computer and posts it online, as well as playing it for us – his family.

August Rush

Did I ever write about this movie here ? It is one of my favorites.

While not the story of an adoption, it is the story of mother child separations. It is about a baby taken by deception shortly after birth and placed in an orphanage. It is about genetics. About deep bonds. Both of his parents are musicians – one classical and one modern. It is Robin Williams as a villain.

The music is wondrous and the music brings his natural parents together at a moment of improbable but tear jerking reunion.

I highly recommend it.